The High Countries

because it’s all paperweight…

Babylong A.D. (2008)

Toorop (Vin Diesel) looks onward in the film's finest moment on screen

Toorop (Vin Diesel) looks ahead as Aurora (right, Mélanie Thierry) follows behind in the film's finest moment.

Disappointing Days

by Bryce VanKooten

Babylon A.D. read exactly like the studio knew it would: short, not-so-sweet and entirely forgettable. It’s incredibly unfortunate that a movie which started out as the daring, futuristic novel Babylon Babies got chopped up into an overtly uninspiring and subsequently shallow PG-13 disaster.

Babylon A.D., the story of Toorop, a veteran-turned-mercenary who takes the job of escorting a woman named Aurora from Central Asia to New York, stays fresh and witty in its first hour. What Toorop (Vin Diesel) thinks is an ordinarily dangerous mission soon becomes much more when he discovers that his guest is carrying twin babies, thought to be the next Messiahs. The movie begins quickly and the first hour is brilliantly average — one can only help but admit there is little chance of a blockbuster after hearing zero publicity. All preconceived notions aside, there are actually quite a few great turns at its opening, including a border-crossing scene equaling intensity with any action film. Needless to say, after the 40 minutes my hopes were high.

The movie could have got one of two ways, really. Either it stayed true to its first hour – gritty, surprising evil marked by mysterious characters or get lazy and forever be lost to theatrical mediocrity. Unfortunately (again), it was the latter. What started out great in this production plunder (over budget, cutting room hell, fist fights, tears, etc) ultimately pandered its way boredom. I had justifiable misconceptions walking in because I have seen too many movies like it. I was hoping to be surprised and hoping that the Studio made the right decision by cutting one MPAA rating and 70 minutes from this potentially epic story, however, the Hollywood equation rings sad but true: one star + below average script + cute girl = guaranteed to at least get your money back. It’s nothing short of box-office fraud I know, but I maintain that this movie had at least a chance to be above average, before coming up far short. And my oh my, did it come up short.

The movie ended in the direct opposite way it began. We were met with intrigue and let out with boredom. We were ushered in with mystery and exited with apathy. Nothing kept me thinking, nothing kept me caring. The movie ended in a lump of lazy, backward thinking – as if we cared what happened to the babies? The last scene of the film (which could have been filmed in my backyard for all I know) was about as entertaining as a Colonoscopy. Standing outside some building (his house?), Toorop held the hands of two very different looking children (the babies?) in an act of true love (Someone was in love? Who was in love?) and a commitment to raise the children on his own (Aurora’s dead? How? We just saw her at the hospital…). All this coming from a man whom we’d grown to love by seeing him throw innocent people from a vessel he was trying to board out of self preservation. Apparently Toorop turned nice in three seconds; who would’ve guessed?

If I could be blunter, I would. There were many, many things wrong with this movie outside of the fact that it was created on the floor of a cutting room. The fight sequences had to be ambiguously edited in order to show the least amount of production error and lack of footage. The characters, although almost brimming with development possibility, were left to hang like a basketball mid-flight, as if we were watching a trilogy without the courtesy of seeing part one and having no hope for part three. It was nearly torturous.

However, it’s hard for me to sit here and comment solely on the end of the movie. As I said before, the opening was quite brilliant. The rigidness of Toorop was a lovably fallen character and Aurora, played by the beautiful (and teeny) Mélanie Thierry, brought a terrific, silent balance to the harsh world around her. The characters were there. The story was in place. The stage had been set, if only for an above average picture, if only for those willing to see the two-plus-hour epic, if only given the chance.

We weren’t.

So Babylon A.D. is lost. At least until the next one.

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September 8, 2008 - Posted by | Entertainment | , , , , , , , , , , , ,

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